Showing posts with label microtonal. Show all posts
Showing posts with label microtonal. Show all posts

Paul Rubenstein: Microtonal Music on Homemade Instruments

We first wrote about Paul "Ubertar" Rubenstein in 2009 when he was leading microtonal guitar-building workshops for New York children. They would then jam on these groovy home-made instruments, writing original songs to most charming effect.

His new album is solo - no kids - but it serves to demonstrate the man's compositional originality. Microtonal doesn't mean "out of tune," not if it's done right. In this instance, as with the Kraig Grady records we featured earlier, avoiding the usual Western do-re-mi scale doesn't me
an ear-wrenching atonality, but a gentle Zen-like Asian feel. Percussives plink and plonk, chime-like keyboards tinkle, and sometimes an electric guitar-like object (perhaps the "alumitar," pictured right) shreds over it all. Track 5 has some fantastic harmonic interplay, and Track 6 should be a hit, sporting the most irresistible melody in 5/4 time since the heyday of Dave Brubeck. Tasty, tasteful, and tuneful.

The new album "Solo Trios" is now available from Spectropol Records (or listen/buy from the Bandcamp page), but His Ubertarness has given us permission to post the entire album... at 128 kbps. That's right: if you want it in hi-fi, you gotta buy it. As well you should - the NY school system has made the questionable decision to cut his music classes. So the man is available to do scores, soundtracks, whatever you need. Maybe even parties, weddings and bar mitzvahs, tho those would be some pretty weird bar mitzvahs. What would Aunt Myrna think?! Anyway. Thanks muchly to Mr. Rubenstein.

Paul
Rubenstein "Solo Trios"

While My Pencilina Gently Weeps


"The pencilina is an electric board zither played primarily by striking the strings with sticks; also by plucking and bowing." And musical instrument inventor/singer-songwriter Bradford Reed is, so far as I know, the world's only performer on this nifty instrument. It's a credit to his songwriting that I didn't know anything about this instrument when I first heard his music - I just liked the song.

Of this 1996 album, the Brooklynite writes, "A strictly live pencilina album. For better or worse I used to have a very purist approach to recording- It must be live. A 50/50 split of instrumental and vocal tunes." Yup, no other instruments - just the one-man-band doing his eccentric thing. Songs range from slightly dissonant,
possibly micro-tonal, plinkety-plunking, to actual catchy tunes. The slightly rough, unaffected singing makes Reed appear to be some sort of indie-rock Harry Partch.

Bradford Reed - "Live! At Home"

This album's going out of print, but he's got more for sale on his site. I recommend "Solo Live Songs" if, for no other reason, the excellent "She's A Rocket." And I can't believe I'm writing about someone from Brooklyn. I'm so trendy! Please forgive.