Showing posts with label Electronica. Show all posts
Showing posts with label Electronica. Show all posts

The Musicalness of Dan Ellsey

Hyperscore is software originally intended by its creators at MIT's Media Lab as a toy for children - they would draw and paint on the monitor and music would result. But then Media Lab's Tod Machover introduced it to disabled folks like one Mr. Dan Ellsey of Boston.

Quoth this LA Times article: "Born with cerebral palsy and unable to speak, he (Ellsey) was forced to communicate with a clumsy headset that pointed to letters to spell out words. He had little control of his body movements. He was in his early 30s, had never been more than five miles from where he was born and seemed doomed to spend a cocooned life in the hospital.

The Media Lab scientists designed a more refined headset for Ellsey that not only inspired him to compose (he turned out to have interesting musical ideas) but even allowed him to perform by controlling tempo, loudness and articulation. He blossomed, and Ellsey, while still a severely affected cerebral palsy patient, has become an active participant in the Hyperscore program, performing, making CDs and teaching other patients."

You can listen/buy his album "Masterpiece," featuring such interesting song titles as "My Musicalness" and "Our Musically":

HERE

So what's it sound like? Like instrumentals using synthetic versions of familiar sounds (strings, piano, drums) in unfamiliar ways - it all sounds a little off-kilter, like a drunken jazz band playing songs that unexpectedly lurch from part to part, then stopping in their tracks to repeat a passage over and over - not in a Minimalism sense, more in the needle-stuck-in-groove sense. The un-relaxing song "Relaxation" has an insistent snare drum relentlessly pounding away irregular rhythms. My fave on the brief (17 minute) collection is the accurately-named "Thrilling Trills."
Music of no known genre.

Bernie Sizzey: Music For Shock Treament Lounges

Today's post is a big one, but this is a big discovery: a prolific outsider artists' complete works now available for free download. Meet Bernie Sizzey (aka Bernie aka Solitaire): mental patient, transvestite, drug user, coprophiliac, and, more importantly, singer/guitarist/keyboardist/ lo-fi home recorder and songwriter for 30 years now of everything from instrumental ambient space-rock, to unrepentant lysergic trip-outs, to confessional ballads detailing his life in catchy, upbeat songs that are never feeling sorry for themselves. He hasn't been dealt the best hand in life, but you won't hear him complain. (Well, unless maybe he runs out of pot.)

He was discovered by electronic/experimental musician Lee Ashcroft, whom some of you mashup fans may remember as "Mixomatosis." Lee writes:

"I have my friends at Colchester Arts Centre to thank for introducing me to Bernie's world. It was 2005, years before I'd heard the term "outsider music", and I went to see Matt Elliott from Third Eye Foundation live. Leaving the venue I walked past a table full of hand-made CD-Rs. Stained by tobacco and cannabis smoke and leaves, they each bore the name Bernie Sizzey. Bernie was nowhere to be seen but, after being told the Arts Centre was the only reliable place to find these discs (a fact that remains to this day - you won't find him on Bleep.com), I was told to "help myself". Few others did.

This was raw, powerful music. Through the haze of psychedelia, it seemed that one man had encompassed pop, rock, trance and hip-hop into a single, unique sound. At one moment he could be rapping about the Avon lady, the next singing a ballad to his mother, who put her son up for adoption mere days after giving birth. He had made his life an open book, and channeled his demons into some of the most exciting music I'd ever heard.

I wouldn't meet him for another four years. Arts Centre staff had told me he could often be found sitting on a wall opposite the centre, behind the local Mercury Theatre, wearing ill-fitting women's clothes and drinking special brew. And sure enough, walking through town one day, there he was. So excited to discover he had a new fan, he hastily put together a box-set of his entire repetoire from 1981 to 2007. Knowing this box-set, 'Be Kind, I'm Cute', was released in an edition of precisely two copies, I offered to put the contents online.

Finally, after two years of ironing out the myriad glitches present on the discs (some the result of poor-quality audio leads, others the result of the aforementioned drug leaves), I placed the entire collection, including materail released since, onto Bandcamp. Why am I doing this? Because this needs to be heard. All outsider art is important, because it avoids all commerical thought process. Art is often defined as something which lacks a genuine purpose. Outsider art has a purpose, if not for its audience, then for its manufacturers. It's art that exists not because it wants to, but because it NEEDS to.

Bernie's music is vital, and deserves to be heard. I consider it a real priveledge to be able to share it with the world, because I know that whatever problems Bernie faces in his life, knowing his music has an audience is something he can take a lot of comfort, satisfaction and pride in. No amount of money can achieve that.

Lee Ashcroft, January 2012

PS. Matt Elliott was unavailable for comment."

---
The following text is edited from emails and transcripts from Bernie:

"Hello Mr Ashcroft. Testing, testing, hello Mr Ashcroft and the nice guy, kind guy that wants to do this (that's you Mr Fab!)... I dont understand what a blog is, see? um... right. Biography. Born 28th April 1964. I was adopted nine days later by a couple, Mr Henry and Barbara Sizzey. I used to live up Layer Road, my mum was born up there. My dad used to live in Ipswich, then to Langham. Um, that's my dad, my adopted dad. I'll tell you about the social work slags later but um...

Yeah, adopted when I was nine days old. My mum and dad were really good people. They brought up three of us children. We were all other people's children that they brought up. We grew up with an Alsation, Sheena, and then Max when Sheena died. Lived in Brightlingsea, although actually... my mummy never wanted to know me. It will remain nameless. Don't really know if I want to see her. She got rid of me once. Don't really know... anyone if... if I could stand to get rejected by another human being again like that. But my mum and dad brought me up.

Oh yeah, the social workers, they said you can look up your blood family, which I gave them the name of, and they said "but you can't look up the Sizzey family, 'cos they're not blood related, and you couldn't do that. It would be against the law," and I said "up yours, social worker"...

Yeah, um, got hurt terribly by a woman. My first girl really, up the Colne High School up there in Brightlingsea. I think it's called the Colne Community College now, or something. I went there... started there in 1976...I asked a woman... gave her a letter and stuff... that girl in my class, in my form room... if she'd um, we could like get it together. She was really posh and that, and big arse and stuff, and... you could have cut the atmosphere with a knife for the next three years. Didn't tell my mum. My mum said "did you go out with her?" and I said "yeah." But I said "she don't wanna meet you" and stuff. So I lied blatantly to my mum and kept everything in after that really.

Later, I had some good friends around me though, and uh, but later I got into, like, a bit of coprophilia and scat and stuff in the local bogs [toilets]. I could even get a few... TICs with washing lines and stuff and a few shoplifting in Woolworths. Couple of Clash tapes and things, and Buzzcocks and that. They used to keep them in the cases in them days! Ha ha!

Anyway, moving on from that. I did have a girlfriend about a year later when i was 13. 13, 14. Carol. She was a bit plain for me. She's a nice lady and... went back to school after the summer and she weren't there. Apparently she'd move on, anyway. I took it pretty badly, after the other girl as well, who'd turned me down. And um... really things took a bit of a nose dive after that. Always had a sick note for school. Always had a sick note for sport, and that. I hate sport.

Cut a long story short: About the age of 15, started playing guitar. Picked up my sister's one. It was nylon. I put steel ones on it which cut into the neck, but it still worked. I learned how to tune it to itself, and... I still don't keep it in proper, classical tune because they're all up themselves. Tune it how I want. Anyway... started having a group called Rohan. AJP, who's on 'Reel to Real', I think he's a radiotherapist now up there in Peterborough...Haven't got a lot by them anymore, all the tapes have got lost, but I have got the two songs off 'Reel to Real' that I done with AJP...They used to say "don't bring Bernie," you know, because I was obviously so strawn away and that, and dirty and that, that they just didn't want to know. So that was the end of Rohan.

Aged 16, got into Severalls. By the age I was 21, I'd already had ECT [electro-convulsive therapy aka electro-shock]. Had ECT on my 20th birthday! 21st April 1984, we all know what I was doing that morning. Getting a taxi, a paid taxi into Severalls... we was very poor though, so we got a... hospital taxi took me there.

Realistically, it was just drugs, drink, special brew. Not many girls. Couple of lays, but no actual girlfriends until I started making my music. This doctor, this psychiatrist just turned my guts so much that I felt I had to write her a few love songs, to be cute to her, and tell her she can always kidnap me, keep me in a cupboard and kill me. "How much is it?" So I made a few songs, then when I wrote 'Beacon' on 'The Game so Far', sent it to all the neighbors, hey bingo, Vanessa said she loved it. Rest of then 'til now's been history. I've been loved. I've learned how to communicate. I really love that girl Vanessa. And just recently I've got Bandcamp... and Lee's been absolutely fantastic.. you (you Mr!), you kind man, good for you. If you ever need anything sucking, come this way. I mean... I didn't mean that! I mean... if you ever need... ah, bottom."

--------
And that, I believe, marks the first offer of oral sex I've received on this blog. And it's about time! Anyway. Ladies and gentlemen, with no further ado, may we present:

The Complete Works (So Far) of Bernie Sizzey

Where to begin? Lee recommends the "Flux Transmissions" album, and I'd add his sampler "Hippie Scat." "Flux" contain gems like "Dream-Conduit," and the winning bubblegum of "Spinning Top!!" "Scat" is packed with hits like his insanely catchy and funny "Smokin' and Trippin' Song," the 1:30 long should-be-garage-rock-classic "Her Favourite Rubbish," an ode to a "psychedelic Avon lady in the sky...", and "Friends Forever," a great bit of space rock disco - imagine Chic covering Hawkwind. The lyrics to "Slave Shuffle" hints at the darkness in his life ("am I just a basket case/not fit for the human race?") even as the New Wave synth-pop music sets toes happily tapping.

It is these older recordings, sometimes released under the name "Solitaire," that are the most intensely personal, lyric-driven tunes, written in an informal, off-the-cuff manner, as if an uninhibited neighbor stopped you on the street to tell you what happened to him today and to share old stories. Pick hits from "Bit By Bit": "Days," "Garden" (a tribute to his recording engineer!), and "Squeeze," and from "The End Of The Game": "Moonshine Man" (about his dealer), and "Hippie Scat," which details the stupendous amounts of chemicals he ingests. Which leads to this chicken/egg question: did his mental problems/hospitalizations result from his drug use, or are the drugs a way to help him cope?

More recent releases such as "Hard-Wired," the pointedly-titled "Music For E.C.T. Lounges," and the more dance-y "Dementia Praecox" are mostly instrumentals in the Pink Floyd/Tangerine Dream school of head music. Recording quality, tho still a bit lo-fi, is definitely improving.

Much thanks to Lee for allowing us the opportunity to be the blog that gets to introduce Bernie to the world. As Bernie says, "Have a nice trip!!"


THE AUDIO COMPOST OF J fm

"Compost" is the aptly-titled 16 minute free download mini-album courtesy of of Nova Scotia, Canada's J fm. He grabs samples of pop music detritus, throws 'em in a grinder and makes hazy lo-fi audio mulch. Fans (like me) of the L.A. Free Music Society's woozy tape-loop shenanigans from the likes of Tom Recchion and Dinosaurs With Horns will dig this. Mr. J fm sez: "i just record onto a tape from my sp404, i carry a solid lil dictophone around and grab samples anywhere i can, everything's game. those sounds get treated, trashed and put into a shape on the sampler." Download it from the Divorce label website

HERE

This video for the non-album track "Frozen Frisbee" utilizes a David Blaine 'Street Magic' VHS tape:




Your Holiday Gift-Giving Problems SORTED

On this most joyous of holiday seasons, give the gift that keeps on giving - the gift of music! Especially weird music that no-one else in your family will like and will disrupt your turkey dinner! Almost everything in this collection was released this year and is available for purchase usually from the artists themselves. Hmmm... we need a word to describe artists not playing "indie rock" or who are on those indie labels that are just farm leagues for the majors, but really are putting out their own CDs/cassettes/vinyls entirely on their own...a word somewhere in between "indie" and outsider"..."in-sider"? Whatever, these are some talented freaks well deserving of your support. Some of the best new music of the year:

M4M Idol 2 Buy (22 Big Songs! Original Hits From The Original Artists!)

This collection is sorta the sequel to the M4M Idol contest from earlier this year, but I'm not gonna hector you into voting for your fave this time (tho you certainly can if you want to.) Artist include:

Bruce Haack/Sound Capsule: What, hasn't Bruce Haack been dead for years? Yes, like Gen. Francisco Franco, electronic music pioneer/oddball Bruce Haack is still dead, but his unfinished album "Electric Lucifer Book III" has sorta been finished by someone I hadn't heard of. I was dubious, but the results speak for themselves.

Twink The Toy Piano Band: Yay, a new Twink album! "Itsy Bits and Bubbles" won't be released til Dec. 1, and the usual whimsical instrumental approach now includes circuit-bent electronic toys, 8-bit video game bloopity-blips, "kitchen drawer percussion," and numerous toys including (natch) pianos. What could have been a long-exhausted one-joke idea continues to thrive thanks to strong songwriting, a widening sonic pallette, and a refusal to play cheerful, innocent music with an arched eyebrow. Excellent artwork, too.

Drexel
, Gamma Like Very Ultra, and The Mind of God are a buncha no-good, smart-ass avant-'tard bands playing spazzy songs with titles like "Poop Stains" and "Let's Kick Toby Keith in the Balls," and I love 'em. All 'net-releases cuz no self-respecting professional label would release this nonsense. But, actually, really well-played, not just screwing around. More, please.

Johnny Aloha has never been seen in the same room as ace lounge parodist Richard Cheese; his "Lavapalooza" album remakes songs like "Paradise City," "Gangsta's Paradise," and "California Gurls" in a way that is not only hilarious, but, recorded as it is with top-notch Hawaiian music pros, perfect tiki tuneage as well. If you were ever wondering, "What if Don Ho was a loc-ed out gangsta?" your feverish desires have been granted.

Non-Bio
, William Bowers and Peopling all make dark, abstract/ambient/noise
soundscapes. Fascinating. Non-bio's "Microsleep" sounds like it samples a scratchy old 78 rpm to chillingly occult effect

Party Killer dares to improvise; This big Portland band even sound like Black Sabbath on one song...if Sabbath used cheap electronics. Mind-melting craziness.

Orchestra Superstring: featuring DJ Bonebrake from X (hell, yeah!) on vibes, this exotica-ish instrumental combo's latest album "Easy" features the bizarre, wonderful sound of the "guitorgan" - not the usual cocktail-hour jazz.

Midnight Habit: speaking of bizarre instruments, an electric kazoo (!) is featured on this chilled bit of electro. Its nasal roar sounds pretty great, so who needs guitars anymore?

Stealing Orchestra: These Portuguese master of mirth and mayehm get serious on their first release that isn't a free download. Still wildly eclectic and eccentric, they just no longer sound like a cartoon soundtrack.

Last AND least...

Trudy Andes: this cringe-worth 9/11 tribute was sent to me by one of you who asks not to be named; well, I'M not gonna take the blame for it! Haven't we all suffered enough after 9/11?! Maybe some Twink videos will make you feel better:





THE ENVELOPE PLEASE...


One month ago I posted a collection of artists who are making the world a more beautiful place by freely distributing songs or albums, and I asked you to vote for your favorite. Like "The X-Factor," only with good music. I might do this again, only for commercial releases, not freebies. Was one month not enough time? Anyway, the final tally is..(drumroll)...

Buttress O'Kneel - 12

Bloody Death Skull - 8
Oreaganomics - 2
Bivouac - 1
Jinnwoo - 1
Docteur Legume et Les Surfwerks - 1
all the others - no votes

Buttress O'Kneel is the winner! Take your bow, lady. Words like "mashup" and "remix" don't really do justice to Buttress O'Kneel's method - Top 40 pop crap gets sliced, diced, and tossed into a dizzying, exciting hardcore electro stew. Compared to other djs who timidly drop a Vanilla Ice acapella over a Chemical Bros instro just to move a dance floor, O'Kneel shreds copyrights with a blood-curdling vehemence. Smash the state!

Her 2000 album "Compact Scipppp" utilizes skipping CDs a la Oval to lovely effect, but after that, the kid gloves came off, and every album since then has employed the same break-core/sample attack. All her albums are free, and all are good. Dive in anywhere.

This is good timing, actually - she has a new album now out called
Compop 14.6: Avant-Tarde: Tardcore that throws Bob Marley, Katy Perry, Black Sabbath, Queen and numerous others into the meat grinder, records their screams of agony, then mixes them with results ranging from toe-tappin' almost-pop to abstract glitch. Play loud.

Buttress O'Kneel - 11 albums


Vote For M4M Idol!!

Don't you wish all of those "[name of country] Idol"/"X Factor"-type shows had good music? Well, now here's your chance to be Simon Bowel (pictured left, on toast) - vote for any of the artists featured on this sampler of home-brew recordings. Most of these acts wrote to me asking for a review of their work, but, goshdurn it, I just don't have the time. Forgive me, bedroom maestros of the world.
But these are all FREE releases, so if you like the sampler tunes, there's often whole albums for you to download. It's really good stuff. I wouldn't subject you-all to anything I didn't genuinely enjoy, so it's gonna be a tough call. A real horse race.

How do you vote? Simply listen to the "M4M Idol" collection i posted below and then leave a comment stating who's your favorite artist of the bunch. The winning artist will get a full-length review (woo-hoo!) in a future M4M post. Yeah, I know...sorry I don't have any valuable cash prizes/record deals to offer the winners, but hey, I get hundreds (sometimes thousands) of eyeballs on this blog each day, so they are getting some exposure.

Musically, it's quite a variety show: lo-fi outsiderness, postpunk prog, campy surf, subversive sound collage, Afro grooviness, ambient/noise soundscapes, twisted electronica, some strange things resembling catchy pop songs. And then there's Jinnwoo's "Sorry Song" which "...was written as an apology from myself to the world for being such a bad and horrible creature...I recorded the piece naked, and in the rain." What would Paula Abdul think?

M4M Idol

1. Bloody Death Skull - I Miss My Homeland
2. Future's Lament 3. Holding Hands
4. Buttress O'Kneel - Exhibit W
5. Buttress O'Kneel - Darkness
6. Cutthroat convention - Warui Neko
7. Cutthroat convention - Parasite's Paradise
8. Death to the Brutes - Death Set
9. Death to the Brutes - No Love, No Ecstasy
10. Docteur Legume et Les Surfwerks - Phibes and Vulnavia, Just Married!
11. Die 1000 Wellen Das Dr Mabuse
12. Jinnwoo - Sorry Song

13. Marc Broude - For the Flies

14. Mike Colin - Fish Bulb
15. Mike Colin - The Future is Not Written
16. Moebius II - Innerstate '94
17. Moebius II - Magic Mirror
18. oreaganomics - Fallin Out Of Buildings Fallin In Love
19. Create Something to Love
20. Pompey - Bivouac Sack
21. Pompey - Candle
22. Sam Simmons - Midge
23. Skinjobs - Money in the Bank Vs. Money in the Pocket 24. Skinjobs - Sunshine

Remember, you can't complain about who won if you didn't vote!

Kitschstortion

Didn't know what a Vocaloid was 'til I was sent this excellent album, but apparently it's music software that uses actual pre-recorded human voices to sing whatever you program it to sing. Which is, in this case, a festival of sentimental '50s/'60s easy-listening and soundtrack classics. It's all "sung" without instrumental accompaniment, but I wouldn't exactly call it acapella music - the voices get chopped and glitchy. The sweetness of these old songs, however, lends a real warmth that is sometimes lacking in experimental electronica. Really wonderful stuff that sounds like nothing I've heard before - Space Age pop for a happy family of robots.



It's by Kitschstortion, the chap who sent us those rare North Korean albums that we posted earlier this year. You can listen to it streaming or download it HERE. Or just grab it here:



Kitschstortion "Vague Serenade"




A. HAPPY ORGAN, B. PERRY MASON THEME, C. POPSICLES, ICICLES, D. DIAGNOSIS MURDER THEME, E. A TASTE OF HONEY, F. THEME FROM A SUMMER PLACE, G. TELSTAR, H. ZING WENT THE STRINGS OF MY HEART, I. CLASSICAL GAS, J. POIROT THEME, K. TWILIGHT ZONE THEME, L. SPANISH FLEA

I AM NOT AND YOU CAN TOO


Vermont's Jake Lions Band have very nicely offered up to us an excellent free album of lots of short (except for one 8 minute track), silly bits of electro-Dada. The non-instrumentals sport absurd lyrics sometimes sung in Chipmunk/cartoon-ish vocals. Like Zoogz Rift or Big Poo Generator, Lions and Co. mix smart, complex music with goofiness, thereby keeping pretentiousness at bay.

Check out lots m
ore of his stuff HERE.

Jake Lions Band -
I Am Not And You Can Too